Friday, June 28, 2013

Why I Am Not Going to See "The Lone Ranger"

     It's been a hectic 72 hours. With the Texas Senate Bill 5 situation a few nights ago, the repealing of some sections in the Voting Rights Act by the Supreme Court, the declared unconstitutionality of Prop 8 and DOMA, and the confusing results of the court case Adoptive Couple v. Baby Girl (results confusing, at least, for me), following the political sphere in the United States has been a bit dizzying over the past few days. The emergence of these legislative and judicial conflicts has made me realize, more than ever, that I am ignorant to many of the things going on in this country. Though I prefer to stay away from politics, and though it's always extremely confusing when I try to dive in, my wish to ignore politics isn't necessarily okay. These political decisions reflect cultural values in the United States, and their results have real-life consequences. Being white, I can easily chose to be oblivious to these consequences if I'm just living my daily life, going about my own business. But just because I do have the privilege of ignoring politics and going about my day without trouble, does not mean I should. My ability to do so, while others are constantly struggling for their rights and watching them be taken away time and time again, is wrong in itself. It's time that I wake up and start educating myself about what's really going on.

     While I clearly am not the most educated person in the world, I'm thankful that I at least have some sense of right and wrong. Months ago, I began to see previews for Disney's"The Lone Ranger." For reasons I couldn't pinpoint or articulate, watching the trailer made me really uncomfortable. I knew there was something wrong with Johnny Depp's portrayal of Tonto. I felt it, even if I couldn't logically figure out why I felt that way. 


     Aside from the harmful, but typical, issue of a white man being the star of the film while a person of color is nothing more than a sidekick (in this case, "some lunatic Indian" who he's "got with him"), there is more under the surface here. I think my initial discomfort came from the blatancy of the stereotypes upon which Johnny Depp (and the writers, directors, and other members of the crew who brought this project to life) plays his character. In the midst of processing these feelings, a Tumblr post came out of the woodwork that validated my own concerns and illuminated several more troubling aspects to this movie.

More eloquent and informed than I ever could have been, here is aquietrevolutionary's take on "The Lone Ranger"


For more information, you can click on the links from the original post. My favorite of them is the angry response of YouTuber ASmilingMalice, titled "To Johnny Depp, from a 1/4 Ojibwa"


Also, here are two very on-point comments from the video:


     As the commenter claims, being white isn't necessarily about family lineage, but it can simply be about one's appearance. We live in a nation where having a lighter skin tone, even among people of color, is "preferred" by employers and more "accepted" by society in general. Simply having a fairer complexion can give a person an advantage in the United States. And I think it's incredibly damaging for white people, who already have that privilege, to dress up as a person of color when it is convenient for them, without having to deal with the everyday social consequences of it. In this role, Johnny Depp gains recognition and revenue, and yet off-screen he never has to deal with the discrimination that a Native American would be burdened with. He, along with everyone involved with this film, is using this fictional person of color to benefit himself. This portrayal does nothing for present-day or once-living Native Americans. In fact, I would say that it mocks them, not only because of the broken English and garish costume, but because in this film, Tonto is used for white people's gain in wealth, similar to the way Native Americans were used and slaughtered so white people could gain American land. This role doesn't tell anyone, "You're still warriors, man," it proudly pronounces, "Nothing has changed."

     Why is this act of Red Face seen as acceptable? My university was rattled (and rightly so) by an incident involving Black Face, and yet I haven't seen anyone publicly outraged by this movie. This incident has, firstly, made me realize that Native American oppression is often dismissed and ignored. I've realized that I don't really know anything about the conditions on reservations, or how the legal system treats Native Americans. I've never thought about how nations (a term that I hope I am using correctly, for three days ago, I wasn't even aware that 'tribe' was an incredibly imperialist word) are lumped into one idea about what it means to be "Native American." But it is so true. I think there is a lot of ignorance surrounding the reality of being a Native American, in the past and the present.

     Secondly, in this particular incident, I think Disney is intentionally keeping the already unaware majority in the dark. As said by Indian Country Today Media Network, Disney attempts to keep Johnny Depp's lineage "ambiguous," and "Disney relies upon the ignorance of the public to allow that ambiguity to exist" (as said by UCLA professor Hanay Geiogamah). At this point, I really think that Disney believes it can do whatever it wants (remember when it tried to trademark Dia de los Muertos?!? Who do the executives at Disney think they are?). This ambiguity is just one way of covering its ass so it does not need to take responsibility for racist actions. And what sickens me the most is that it won't need to take responsibilty. There has never been a widespread boycott of Disney, and realistically, this film won't change that.


 As said by a past film professor of mine, "It's always about money. ALWAYS." It's safe to say that Johnny Depp was chosen for this role because he is a big name, and there are drones of people who will go see this film simply because Johnny Depp is in it. I'm sure he's a lovely actor to work with, but he was given the role because he will make A LOT of money for the companies involved. With that in mind, I believe the rest of the film is secondary to that fact. The movie may have even been built around that fact. Hey-- it may be racist, but we've got JOHNNY!

     Besides the fact that it looks like a shitty action movie (let's be honest, nothing about this film is appealing to me, even if it weren't racist), the combination of Johnny Depp's casting and the multitude of stereotypes upon which the character is based means I won't be spending a dime on it. I just can't. It's similar to how I chose not to see the new Star Trek film in the theater because of whitewashing, despite how much I loved the first film and how much I want to see Benedict Cumberbatch succeed. Sometimes, knowing these issues ahead of time makes my interest in the film(s) dwindle completely. And sometimes it doesn't. I will probably see Star Trek Into Darkness at some point, but I certainly won't be spending money on it.

This is not to say that I've never watched and enjoyed troubling media, because that's nearly impossible. And this is not to say that you are a horrible person if you still want to see "The Lone Ranger" in the theater. A lot of media is really screwed up, and being personal aware of it does not change the fact that troubling shit is still being fed to the public (including me and you) in mass portions. In my opinion, you are only the villain in this situation if you are aware of this film's racism and claim that it isn't a big deal, or that media/our society lives in a post-racism space. Don't make excuses for this film, and don't try to defend it. And never tell someone they are overreacting because they are offended by it. It is possible to love a film and accept its flaws at the same time!!

For more words on this, please refer to the goddess Ceedling:



Also, topics like the -isms of our society are not a one-way thing. They are a discussion. So if there is anything you have a problem with in this post, or if you want to point something out in efforts to educate me, please comment!! I'm completely open to being corrected, for I'm still fairly new at this. 

♥ Happy Watching (Or... err.... Not Watching)

Monday, June 24, 2013

The Themizine: Vol. 1


     Being around Cathy makes me exponentially more creative. When she was staying at my house, I got this insane desire to express that creativity, but I'm definitely not talented in the drawing department. I'm not even skilled in dressing myself in an expressive way. So she came up with the brilliant idea of making a zine. Cathy's stepfather used to make tiny publications and hand them out at punk concerts, and so we took that idea and just put to paper what we're really into at the moment. 

     I created pages about Tatiana Maslany, this blog, and the song "To Build a Home" by The Cinematic Orchestra (which has struck a new, albeit painful, chord with me since moving out of my college dorm). Plus I created the really shit back cover with our names on it. Though I wrote on the front cover, Cathy drew an intelligent writer lady on it, plus she made beautiful pages about Game of Thrones, her current hair inspirations (featuring the lovely Ceedling), and feminism in the form of the Ovarian Gang and a Patti Smith speech, as featured in First Aid Kit's performance of her song, Dancing Barefoot.

Together, they all fold into a beautiful little paper zine: 


I also scanned the zine into my computer and cut out each panel on Microsoft Paint as to provide a more detailed look. It's a really great way to express your creativity if you're not particularly artistic. Just mix sharpie, computer print-outs, words, and designs together, and you're golden. Hopefully there will be many more of these to come in the future!





♥ Happy Reading

Friday, June 21, 2013

Planning a Trip to Europe

     Today I met with my cousins to discuss our trip to Europe this summer! I've never been very far from the U.S., much less across the Atlantic Ocean, so I'm pretty excited. I was quite nervous when I texted my cousin, McKenna, about booking plane tickets, and then the next morning I was over $1,000 dollars poorer. But now I'm just stoked. And according to McKenna, the master traveler, we've completed the most difficult part of the process: figuring out our plane and train tickets around Europe. And so ends Phase I.


We've decided our route for 25 days: July 23rd to August 19th
  1. Berlin with my sister for a few days, and then we're all off!
  2. Prague, Czech Republic
  3. Geneva, Switzerland
  4. Paris, France
  5. Madrid, Spain 
  6. Rome, Italy
  7. Vienna, Austria 
  8. Back to Berlin for a few last days
  9. Then a flight back to the United States 
 I obviously cannot be active on this blog for about a month, and so I thought that I would try to film a good portion of my trip, take a lot of pictures, write down some thoughts at the end of each day, and then create individual posts about each location when I get back! I'll write a little bit, put a little video up... it'll be cool. And considering I will be bored in my hometown for the rest of August and most of September, it will be something to keep me occupied. Get excited!

♥ Happy Living

Tuesday, June 18, 2013

The Invisible War (TW: Rape)

     Hello, friends! Though I'm sure very few noticed the prolonged absence, I do apologize. Spring Quarter was quite busy for me. Eventually, I just had to sort out my priorities, and between academics, my sorority, and applying for all of my involvements for next year, I barely had enough time to keep my head on straight. I even had to quit Her Campus, after only submitting one article... embarrassing. But I'm hoping that I can join up again next year, and I'm hoping to interject some feminism into the magazine. It's for college women after all!

But that is a discussion for another time. However, it does kind of transition into the wonderful and shocking documentary I watched last night: The Invisible War.


     Like all documentaries should hope to achieve, my eyes were completely opened by this film and the stories it told. On the surface, it's about the alarming rates of sexual assault of men** and women within the U.S. military. That itself is a terrifying thought. The recounts of rapes themselves are horrifying. Perhaps one can predict that abuse of power is a contributing factor to these attacks, but I was totally surprised to discover that soldiers go out drinking with their superiors and are ordered to drink until they are utterly incoherent. I didn't expect sexual assault to be something so widely accepted among the men of the military. Somehow, I just didn't expect this kind of conduct... probably because of all those propaganda-ridden ideals about soldiers being the most honorable citizens of the United States. 

 ** First of all, shout out for addressing the sexual assaults of both men and women, when the stories of men could have been ignored. I loved the way this documentary interlaced issues of masculinity in with the values of the military, and the dehumanizing and emasculating effects of rape.

     But what really boggled my mind was the institution in place that systematically dismissed (dismisses? The film implied that change had been made, but that these initial reforms were not yet "enough." What exactly does "enough" mean? That's perhaps my only complaint about this documentary-- it stressed that changed was needed, but didn't clearly specify what that change was.) rape cases and then accused the victims of lying and adultery. I didn't even realize that adultery could be a formal charge? I suspect its existence is, again, wrapped up in those ideas about honor and good moral character. But that seems more like an illusion than ever before. And it's very true that those who sweep these cases under the rug are not qualified medical professionals, because if they were, they would understand the extreme psychological impact of interrogating and dismissing a survivor of sexual assault. Like this film claimed, the military's reactions to the cases were/are equal to, if not worse, than the trauma of rape itself.

  Though this film only premiered in 2012, I'm very anxious to know whether significance progress has been made, or whether an appeal was successful in court. I don't really know where to get access to this information, but considering the website is still up, I'm assuming leaps and bounds are still required to mend this very broken system. A system so broken that female veterans in this film say they could never recommend other young women to join the U.S. military.

It's very important that people in the United States continue to be exposed to this film.

     I can honestly say that I had no idea about any of these issues within the military until watching. But if that isn't enough for you to check it out immediately, also know that it is incredibly compelling and well-made. The format and transitions from sexual assault of women, to men, and to individual stories was seamless. I also loved the various interviews and typography to keep the statistics both visually interesting and comprehensible. I highly recommend this documentary, and I'm hoping to get much more into Netflix documentaries this summer. Hopefully the rest of my finds will be as thought-provoking and emotionally impacting as this one.

♥ Happy Watching